How many movements typically comprise a Concerto?

The typical structure of a concerto often consists of three movements. This three-movement format was solidified during the Classical period, especially in the concertos of composers such as Mozart and Beethoven. The usual tempo arrangement for these movements is fast-slow-fast, which allows for both lyrical and virtuosic expression from the featured soloist.

In the first movement, the soloist often engages in a dialogue with the orchestra, showcasing both technical skill and the ability to interpret themes. The second movement typically provides a contrast in character, allowing for more introspective and expressive playing. The finale returns to a more lively tempo, tying together themes from earlier movements, often culminating in an exciting conclusion.

While some concertos can contain two movements or even additional ones, particularly in various styles or periods such as baroque concertos that sometimes have a more varied structure, the three-movement format remains the most recognized standard in the context of concertos, especially within the classical canon.